THE SYMBOLIC EXPRESSIONS IN THE EPIGRAPHIC DECORATIONS OF TILLAKORI MADRASASI
Keywords:
Islamic epigraphy, Tillakori Madrasasi, kundal technique, Kufic script, Thuluth script, symbolic ornament, Samarkand architecture, golden decoration, Islamic calligraphy, Uzbek heritage.Abstract
This article examines the symbolic and semantic meanings embedded in the epigraphic decorations of Tillakori Madrasasi, a 17th-century architectural monument in Samarkand. Constructed between 1646–1660 under the patronage of Yalangtosh Bahodir, the madrasah is distinguished by its richly ornamented interior, extensive use of the kundal technique, and the harmonious integration of calligraphy and ornamentation. The study analyzes inscriptions rendered in Kufic, Thuluth, and other scripts, focusing on their theological, aesthetic, and spiritual functions. The article also highlights modern efforts in Uzbekistan to research, preserve, and revive epigraphic heritage, including the contribution of Habibulloh Solih and the publication project “Epigraphs of Architectural Monuments of Uzbekistan.” The research demonstrates that epigraphy in Tillakori Madrasasi serves as both sacred text and symbolic ornament, embodying the unity of faith, art, and architecture.
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