AN’ANAVIY O‘ZBEK XALQ HUNARMANDCHILIGI JAHON ILM-FANI VA MADANIY MEROS KONTEKSTIDA
Keywords:
Etnologiya, hunarmandchilik, madaniy, gender masalasi, meros, turizm, an’ana.Abstract
Ushbu maqola an’anaviy o‘zbek hunarmandchiligining bugungi kundagi holati, tarmoqlarning rivojlanish xususiyatlari, ajdodlardan saqlanib kelayotgan noyob hunar turlarining dunyo hamjamiyatida o‘rganilish tendensiyalariga bag‘ishlanadi. Shuningdek, hunarmandchilik turlari insoniyatning noyob madaniy bilimi sifatida tan olingan va uning saqlanishi avlodlar orasidagi bilimlar uzluksizligini ta’minlashga bog‘liqligi ta’kidlangan.
References
1.“Traditional craftsmanship is perhaps the most tangible manifestation of intangible cultural heritage… Its survival is closely linked to the transmission of knowledge and skills from one generation to the next”(UNESCO, 2003)
2.“Craftsmanship — the skill of making things well — stands as a counterbalance to mechanical efficiency and alienated labor”(Sennett, 2008, p. 20)
3.“O‘zbekiston Respublikasini yanada rivojlantirish bo‘yicha Harakatlar strategiyasi to‘g‘risida”gi, 2017 yil 17 noyabrdagi PF-5242-sonli “Hunarmandchilikni yanada rivojlantirish va hunarmandlarni har tomonlama qo‘llab-quvvatlash chora-tadbirlari to‘g‘risida”gi Farmoni // Xalq so‘zi. 2017 yil, 9 fevral.
4 “Craft is not only a cultural expression but also a powerful economic and political force — sustaining communities, transmitting heritage, and enabling identity”(Adamson, 2021, p. 11)
5.Zsuzsa Levin & Gennady “SnesarevCraft Revival in Central Asia: Cultural Heritage in Transition” CHCAP (International Information and Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region under the auspices of UNESCO) 2014, p. 57
