CONTEMPORARY INTERPRETATION OF SHASHMAQOM AND ITS CHALLENGES

Authors

  • Farangiz Mahmudova Uzbek National Institute of Musical Art named after Yunus Rajabiy, Senior Lecturer of the “Maqom Instrumental Performance” Department Author
  • Nozigul Kasimova Uzbek National Institute of Musical Art named after Yunus Rajabiy 1st year Master’s student Author

Keywords:

Shashmaqom, modernization, interpretation, Yunus Rajabiy, Uzbek music, cultural heritage, performance practice.

Abstract

This article examines the contemporary interpretation of Shashmaqom within the context of globalization, modernization, and changing performance practices. The study analyzes how traditional structures of Shashmaqom are adapted for modern audiences through stage performance, orchestration, and digital dissemination. It also explores the challenges related to authenticity, preservation, and stylistic integrity. Special attention is given to the legacy of Yunus Rajabiy, whose work provides a methodological foundation for balancing tradition and innovation. The findings suggest that while contemporary interpretations expand accessibility and global recognition, they also require careful consideration to maintain the original artistic and philosophical essence of Shashmaqom.

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References

1. Rajabiy, Y. Shashmaqom. Tashkent.

2. Fayzulla Karomatov, F. Uzbek Music History.

3. Theodore Levin, T. The Hundred Thousand Fools of God.

4. Razia Sultanova, R. From Shamanism to Sufism.

5. Jean During, J. The Spirit of Sounds.

6. UNESCO. Shashmaqom Cultural Heritage Documents.

7. Sultanova, R. (2005). Central Asian Music: Cultural Contexts. London.

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Published

2026-05-25

Issue

Vol. 4 No. 48 (2026): THEORY AND ANALYTICAL ASPECTS OF RECENT RESEARCH

Section

Articles